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ALAN LICHT & BRIAN CHASE - We Thought We Could Do Anything LP
Collaborating with drummer Brian Chase (Yeah Yeah Yeahs, Man Forever), guitarist Alan Licht (Lee Ranaldo & the Dust, The Blue Humans, Love Child, Run On, etc.) is back for another release on New Images Ltd. We Thought We Could Do Anything is a far less literal take on spontaneous dialogue than his âtalk-rockâ project Title TK, whose album / sleeve / book Rock$ was published in 2013.Â
Impressive pedigrees aside, Licht and Chase are a real-deal pairing; each has a longstanding involvement in underground rock, minimalism, experimental music, and free improvisation. We Thought We Could Do Anything is their first record together and it lives by its intrepid name. Conceived as a series of structured improvisations, it joins fiery drumming with titanic guitar abstraction for a collection of sharply focused sonic passages. Itâs music with the harshest colors up front and in detail. Lichtâs guitar is the torrential speech at hand, and its dynamic limits are bound only by the albumâs run-time.
On improvisatory epic â18:12,â Chase teases out overtones from his snare drum and toms that interface with the flood of harmonics spilling out of Lichtâs dizzying runs. The searing ambient drone piece âIrreal / Erosionâ is a mind-meld employing the just intonation experiments of Chaseâs solo Drums and Drones CD (Pogus, 2013) as a launching point. âImmediate Releaseâ and âDouble Rubbleâ are shorter studiesâLicht adds his trademark twirling-screwdriver-on-open-strings technique to one of Chaseâs drum-sourced electronic thunderclouds on the former, while Chase improvises with percussion over a treated field recording of a ventilation unit on the latter.
Impressive pedigrees aside, Licht and Chase are a real-deal pairing; each has a longstanding involvement in underground rock, minimalism, experimental music, and free improvisation. We Thought We Could Do Anything is their first record together and it lives by its intrepid name. Conceived as a series of structured improvisations, it joins fiery drumming with titanic guitar abstraction for a collection of sharply focused sonic passages. Itâs music with the harshest colors up front and in detail. Lichtâs guitar is the torrential speech at hand, and its dynamic limits are bound only by the albumâs run-time.
On improvisatory epic â18:12,â Chase teases out overtones from his snare drum and toms that interface with the flood of harmonics spilling out of Lichtâs dizzying runs. The searing ambient drone piece âIrreal / Erosionâ is a mind-meld employing the just intonation experiments of Chaseâs solo Drums and Drones CD (Pogus, 2013) as a launching point. âImmediate Releaseâ and âDouble Rubbleâ are shorter studiesâLicht adds his trademark twirling-screwdriver-on-open-strings technique to one of Chaseâs drum-sourced electronic thunderclouds on the former, while Chase improvises with percussion over a treated field recording of a ventilation unit on the latter.
Collaborating with drummer Brian Chase (Yeah Yeah Yeahs, Man Forever), guitarist Alan Licht (Lee Ranaldo & the Dust, The Blue Humans, Love Child, Run On, etc.) is back for another release on New Images Ltd. We Thought We Could Do Anything is a far less literal take on spontaneous dialogue than his âtalk-rockâ project Title TK, whose album / sleeve / book Rock$ was published in 2013.Â
Impressive pedigrees aside, Licht and Chase are a real-deal pairing; each has a longstanding involvement in underground rock, minimalism, experimental music, and free improvisation. We Thought We Could Do Anything is their first record together and it lives by its intrepid name. Conceived as a series of structured improvisations, it joins fiery drumming with titanic guitar abstraction for a collection of sharply focused sonic passages. Itâs music with the harshest colors up front and in detail. Lichtâs guitar is the torrential speech at hand, and its dynamic limits are bound only by the albumâs run-time.
On improvisatory epic â18:12,â Chase teases out overtones from his snare drum and toms that interface with the flood of harmonics spilling out of Lichtâs dizzying runs. The searing ambient drone piece âIrreal / Erosionâ is a mind-meld employing the just intonation experiments of Chaseâs solo Drums and Drones CD (Pogus, 2013) as a launching point. âImmediate Releaseâ and âDouble Rubbleâ are shorter studiesâLicht adds his trademark twirling-screwdriver-on-open-strings technique to one of Chaseâs drum-sourced electronic thunderclouds on the former, while Chase improvises with percussion over a treated field recording of a ventilation unit on the latter.
Impressive pedigrees aside, Licht and Chase are a real-deal pairing; each has a longstanding involvement in underground rock, minimalism, experimental music, and free improvisation. We Thought We Could Do Anything is their first record together and it lives by its intrepid name. Conceived as a series of structured improvisations, it joins fiery drumming with titanic guitar abstraction for a collection of sharply focused sonic passages. Itâs music with the harshest colors up front and in detail. Lichtâs guitar is the torrential speech at hand, and its dynamic limits are bound only by the albumâs run-time.
On improvisatory epic â18:12,â Chase teases out overtones from his snare drum and toms that interface with the flood of harmonics spilling out of Lichtâs dizzying runs. The searing ambient drone piece âIrreal / Erosionâ is a mind-meld employing the just intonation experiments of Chaseâs solo Drums and Drones CD (Pogus, 2013) as a launching point. âImmediate Releaseâ and âDouble Rubbleâ are shorter studiesâLicht adds his trademark twirling-screwdriver-on-open-strings technique to one of Chaseâs drum-sourced electronic thunderclouds on the former, while Chase improvises with percussion over a treated field recording of a ventilation unit on the latter.
$6.25
Original: $20.84
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$20.84
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Collaborating with drummer Brian Chase (Yeah Yeah Yeahs, Man Forever), guitarist Alan Licht (Lee Ranaldo & the Dust, The Blue Humans, Love Child, Run On, etc.) is back for another release on New Images Ltd. We Thought We Could Do Anything is a far less literal take on spontaneous dialogue than his âtalk-rockâ project Title TK, whose album / sleeve / book Rock$ was published in 2013.Â
Impressive pedigrees aside, Licht and Chase are a real-deal pairing; each has a longstanding involvement in underground rock, minimalism, experimental music, and free improvisation. We Thought We Could Do Anything is their first record together and it lives by its intrepid name. Conceived as a series of structured improvisations, it joins fiery drumming with titanic guitar abstraction for a collection of sharply focused sonic passages. Itâs music with the harshest colors up front and in detail. Lichtâs guitar is the torrential speech at hand, and its dynamic limits are bound only by the albumâs run-time.
On improvisatory epic â18:12,â Chase teases out overtones from his snare drum and toms that interface with the flood of harmonics spilling out of Lichtâs dizzying runs. The searing ambient drone piece âIrreal / Erosionâ is a mind-meld employing the just intonation experiments of Chaseâs solo Drums and Drones CD (Pogus, 2013) as a launching point. âImmediate Releaseâ and âDouble Rubbleâ are shorter studiesâLicht adds his trademark twirling-screwdriver-on-open-strings technique to one of Chaseâs drum-sourced electronic thunderclouds on the former, while Chase improvises with percussion over a treated field recording of a ventilation unit on the latter.
Impressive pedigrees aside, Licht and Chase are a real-deal pairing; each has a longstanding involvement in underground rock, minimalism, experimental music, and free improvisation. We Thought We Could Do Anything is their first record together and it lives by its intrepid name. Conceived as a series of structured improvisations, it joins fiery drumming with titanic guitar abstraction for a collection of sharply focused sonic passages. Itâs music with the harshest colors up front and in detail. Lichtâs guitar is the torrential speech at hand, and its dynamic limits are bound only by the albumâs run-time.
On improvisatory epic â18:12,â Chase teases out overtones from his snare drum and toms that interface with the flood of harmonics spilling out of Lichtâs dizzying runs. The searing ambient drone piece âIrreal / Erosionâ is a mind-meld employing the just intonation experiments of Chaseâs solo Drums and Drones CD (Pogus, 2013) as a launching point. âImmediate Releaseâ and âDouble Rubbleâ are shorter studiesâLicht adds his trademark twirling-screwdriver-on-open-strings technique to one of Chaseâs drum-sourced electronic thunderclouds on the former, while Chase improvises with percussion over a treated field recording of a ventilation unit on the latter.
