AHMED MALEK - Musique Originale De Films LP
Back In Print.
I still remember the first time I heard Ahmed Malek. It was 2012. Back then I didnât know much about Arabic music, but I was about to leave Berlin for a couple of weeks to go to Tunisia. I was working as a project manager for a music recoding session which ended up being released by Jakarta Records as the âSawtuhaâ release. I knew I would have some time off during my stay and I was certain that I would dedicate some of this time to diggin. I asked some people whether they knew of any titles that I should look for. Roskow, who also ended up re-mastering this release, told me about an Algerian composer called Ahmed Malek whose music was also released in Tunisia.
Fast forward three years: Arabic records have become my number one hobby and luckily I got my hands on a copy of Ahmed Malekâs âMusique Originale De Filmsâ album. I already knew some of the tracks but listening to the music the way it was originally released, and not as a crappy Youtube version, made me fall in love with Malekâs compositions all the more. It manages to create this very special mood: melancholic and reflective, emotional and touching, but never depressing. Even without having seen any of the pictures created for this, it immediately brings visuals to oneâs imagination.
Back In Print.
I still remember the first time I heard Ahmed Malek. It was 2012. Back then I didnât know much about Arabic music, but I was about to leave Berlin for a couple of weeks to go to Tunisia. I was working as a project manager for a music recoding session which ended up being released by Jakarta Records as the âSawtuhaâ release. I knew I would have some time off during my stay and I was certain that I would dedicate some of this time to diggin. I asked some people whether they knew of any titles that I should look for. Roskow, who also ended up re-mastering this release, told me about an Algerian composer called Ahmed Malek whose music was also released in Tunisia.
Fast forward three years: Arabic records have become my number one hobby and luckily I got my hands on a copy of Ahmed Malekâs âMusique Originale De Filmsâ album. I already knew some of the tracks but listening to the music the way it was originally released, and not as a crappy Youtube version, made me fall in love with Malekâs compositions all the more. It manages to create this very special mood: melancholic and reflective, emotional and touching, but never depressing. Even without having seen any of the pictures created for this, it immediately brings visuals to oneâs imagination.
Description
Back In Print.
I still remember the first time I heard Ahmed Malek. It was 2012. Back then I didnât know much about Arabic music, but I was about to leave Berlin for a couple of weeks to go to Tunisia. I was working as a project manager for a music recoding session which ended up being released by Jakarta Records as the âSawtuhaâ release. I knew I would have some time off during my stay and I was certain that I would dedicate some of this time to diggin. I asked some people whether they knew of any titles that I should look for. Roskow, who also ended up re-mastering this release, told me about an Algerian composer called Ahmed Malek whose music was also released in Tunisia.
Fast forward three years: Arabic records have become my number one hobby and luckily I got my hands on a copy of Ahmed Malekâs âMusique Originale De Filmsâ album. I already knew some of the tracks but listening to the music the way it was originally released, and not as a crappy Youtube version, made me fall in love with Malekâs compositions all the more. It manages to create this very special mood: melancholic and reflective, emotional and touching, but never depressing. Even without having seen any of the pictures created for this, it immediately brings visuals to oneâs imagination.
