DON CHERRY - Cherry Jam LP
"Hip as hell" - The Wire
"Their output doesnât suggest an incendiary avant-garde so much as an extended post-bop language, cool-tempered and abidingly hip." - WBGO
"It captures a really interesting period in his career... This is my favorite sound. It is just so chill and smart and just cool." - Robin Hilton, NPR MusicÂ
âCherry Jamâ sets the scene in 60s Copenhagen, a city which at the time proved instrumental in the hosting and development of jazz musicians both local and American. Cherry had performed and recorded there with Archie Shepp in 1963, toured with Albert Ayler in the autumn of 1964, and would go on to have a residency at the hip Cafe Montmartre in 1966.
Our recording is taken from the original tape of a 1965 radio broadcast, programmed by Denmarkâs national radio station (Danmarks Radio.) It was in this same year that Cherryâš would record his landmark Blue Note recording, âComplete Communionâ, with Leandro 'Gato' Barbieri on tenor saxophone, Henry Grimes on double bass, and Edward Blackwell on drums, as well as feature on fellow American expatriate George Russellâs live album âGeorge Russell Sextet at Beethoven Hallâ. This particular line-up however, consisting of Danish musicians, has never been heard after its original broadcast date, and neither have the three original Don Cherry compositions that are featured on the recording credits.
These four pieces show Don Cherry in the midst of his transformation from pivotal sideman in New Yorkâs avant-garde jazz scene to leader of his own groups and world traveller. His endless curiosity, free-thinking openness to different cultures, and rejection of musical boundaries paved the way for future creators in jazz, world music, and beyond.
"Hip as hell" - The Wire
"Their output doesnât suggest an incendiary avant-garde so much as an extended post-bop language, cool-tempered and abidingly hip." - WBGO
"It captures a really interesting period in his career... This is my favorite sound. It is just so chill and smart and just cool." - Robin Hilton, NPR MusicÂ
âCherry Jamâ sets the scene in 60s Copenhagen, a city which at the time proved instrumental in the hosting and development of jazz musicians both local and American. Cherry had performed and recorded there with Archie Shepp in 1963, toured with Albert Ayler in the autumn of 1964, and would go on to have a residency at the hip Cafe Montmartre in 1966.
Our recording is taken from the original tape of a 1965 radio broadcast, programmed by Denmarkâs national radio station (Danmarks Radio.) It was in this same year that Cherryâš would record his landmark Blue Note recording, âComplete Communionâ, with Leandro 'Gato' Barbieri on tenor saxophone, Henry Grimes on double bass, and Edward Blackwell on drums, as well as feature on fellow American expatriate George Russellâs live album âGeorge Russell Sextet at Beethoven Hallâ. This particular line-up however, consisting of Danish musicians, has never been heard after its original broadcast date, and neither have the three original Don Cherry compositions that are featured on the recording credits.
These four pieces show Don Cherry in the midst of his transformation from pivotal sideman in New Yorkâs avant-garde jazz scene to leader of his own groups and world traveller. His endless curiosity, free-thinking openness to different cultures, and rejection of musical boundaries paved the way for future creators in jazz, world music, and beyond.
Original: $28.94
-70%$28.94
$8.68Description
"Hip as hell" - The Wire
"Their output doesnât suggest an incendiary avant-garde so much as an extended post-bop language, cool-tempered and abidingly hip." - WBGO
"It captures a really interesting period in his career... This is my favorite sound. It is just so chill and smart and just cool." - Robin Hilton, NPR MusicÂ
âCherry Jamâ sets the scene in 60s Copenhagen, a city which at the time proved instrumental in the hosting and development of jazz musicians both local and American. Cherry had performed and recorded there with Archie Shepp in 1963, toured with Albert Ayler in the autumn of 1964, and would go on to have a residency at the hip Cafe Montmartre in 1966.
Our recording is taken from the original tape of a 1965 radio broadcast, programmed by Denmarkâs national radio station (Danmarks Radio.) It was in this same year that Cherryâš would record his landmark Blue Note recording, âComplete Communionâ, with Leandro 'Gato' Barbieri on tenor saxophone, Henry Grimes on double bass, and Edward Blackwell on drums, as well as feature on fellow American expatriate George Russellâs live album âGeorge Russell Sextet at Beethoven Hallâ. This particular line-up however, consisting of Danish musicians, has never been heard after its original broadcast date, and neither have the three original Don Cherry compositions that are featured on the recording credits.
These four pieces show Don Cherry in the midst of his transformation from pivotal sideman in New Yorkâs avant-garde jazz scene to leader of his own groups and world traveller. His endless curiosity, free-thinking openness to different cultures, and rejection of musical boundaries paved the way for future creators in jazz, world music, and beyond.
