
DON'T GET LEMON - Have Some Shame LP
Say Something New For Once is an ironic commentary on the process of songwriting. Most bands have the opportunity to say something unique about their lives but instead get lost in trivial clichĂ©. Does this song say anything new to you? Is it supposed to? Donât Get Lemon is the collaborative artistic work of longtime friends Austin Curtis, Nicholas Ross, and Bryan Walters. After touring the west coast off of their debut album, âHyper Hollow Heavenâ, DGL returned with new singles Autocratic Gore and Blow-Up, including a remix by De Lux. With DGLâs triumphant second album, âHave Some Shameâ the art-pop trio have expanded their sound to glittering new heights as they dance between shimmering synth-pop and stomping glam rock.
The 9 song 37 minute album, out on Ă La Carte Records (Soft Kill, Madeline Goldstein, Lesser Care, The True Faith) and Summer Darling Tapes, recorded in rural Texas by Dan Duszynski (Loma / Sub Pop) and mastered by Paul Gold (LCD Soundsystem, Animal Collective) revolts against the bored distant gaze of clichĂ© coldwave, and instead retaliates with the warm fiery embrace of what the band dubs âHeatwave.â This heartfelt sound forms an idiosyncratic identity that also wouldnât be out of place in a classic John Hughes 80s film soundtrack. Singer Austin Curtisâ looks and stage performance sits comfortably between the sensual sway of Elvis Presley and the chameleon fluidity of David Bowie.
Say Something New For Once is an ironic commentary on the process of songwriting. Most bands have the opportunity to say something unique about their lives but instead get lost in trivial clichĂ©. Does this song say anything new to you? Is it supposed to? Donât Get Lemon is the collaborative artistic work of longtime friends Austin Curtis, Nicholas Ross, and Bryan Walters. After touring the west coast off of their debut album, âHyper Hollow Heavenâ, DGL returned with new singles Autocratic Gore and Blow-Up, including a remix by De Lux. With DGLâs triumphant second album, âHave Some Shameâ the art-pop trio have expanded their sound to glittering new heights as they dance between shimmering synth-pop and stomping glam rock.
The 9 song 37 minute album, out on Ă La Carte Records (Soft Kill, Madeline Goldstein, Lesser Care, The True Faith) and Summer Darling Tapes, recorded in rural Texas by Dan Duszynski (Loma / Sub Pop) and mastered by Paul Gold (LCD Soundsystem, Animal Collective) revolts against the bored distant gaze of clichĂ© coldwave, and instead retaliates with the warm fiery embrace of what the band dubs âHeatwave.â This heartfelt sound forms an idiosyncratic identity that also wouldnât be out of place in a classic John Hughes 80s film soundtrack. Singer Austin Curtisâ looks and stage performance sits comfortably between the sensual sway of Elvis Presley and the chameleon fluidity of David Bowie.
Description
Say Something New For Once is an ironic commentary on the process of songwriting. Most bands have the opportunity to say something unique about their lives but instead get lost in trivial clichĂ©. Does this song say anything new to you? Is it supposed to? Donât Get Lemon is the collaborative artistic work of longtime friends Austin Curtis, Nicholas Ross, and Bryan Walters. After touring the west coast off of their debut album, âHyper Hollow Heavenâ, DGL returned with new singles Autocratic Gore and Blow-Up, including a remix by De Lux. With DGLâs triumphant second album, âHave Some Shameâ the art-pop trio have expanded their sound to glittering new heights as they dance between shimmering synth-pop and stomping glam rock.
The 9 song 37 minute album, out on Ă La Carte Records (Soft Kill, Madeline Goldstein, Lesser Care, The True Faith) and Summer Darling Tapes, recorded in rural Texas by Dan Duszynski (Loma / Sub Pop) and mastered by Paul Gold (LCD Soundsystem, Animal Collective) revolts against the bored distant gaze of clichĂ© coldwave, and instead retaliates with the warm fiery embrace of what the band dubs âHeatwave.â This heartfelt sound forms an idiosyncratic identity that also wouldnât be out of place in a classic John Hughes 80s film soundtrack. Singer Austin Curtisâ looks and stage performance sits comfortably between the sensual sway of Elvis Presley and the chameleon fluidity of David Bowie.











