
FPBJPC - Jubilee LP
Ltd. to 100 copies, incl. 20-page booklet with photo and 'Spiky DJ' sticker
Jubilee is an album of selections from the last five years of multifarious output by the art collective FPBJPC, including Jonathan Gean, Michael Pollard, Ben Schumacher, and Peter Friel. Including 8-hand piano arrangements of Schillerâs âAn Die Freude,â helpful techno, free guitar quartets, music from their film The China Chalet Group, and more, Jubilee is an incomplete picture of FPBJPCâs life-long research into ways of hanging out. Side A ends with an anthemic Interpol âcoverâ performed at the collectiveâs own Responsibility Festival, which took over southern Ontarioâs Wolfe Island for a weekend in the summer of 2019.
Everything in FPBJPCâs oeuvre requires you to tilt your head to adjust where the glare obscures the picture. Or thereâs no glare, but weâre accustomed to thinking there ought to be one. I was in the audience for the 2019 Recital Earth Day Gala concert, and during FPBJPCâs set someone in the audience muttered to me, âperfect music.â At the Interpol concert, I was also in the audience. I didnât know the words and didnât feel like crowdsurfing, but I was very happy to be there. This music helps me remember how to learn how to love. Maybe in the last seventy years or so the loveless mistrust of fucks given has become the cruel, background fuck whose givenness is a given. FPBJPC invites us to relieve ourselves of that cruelty and, thereby, invites us back into love. Perfect music.
Derek Baron, Sept. 2020
Ltd. to 100 copies, incl. 20-page booklet with photo and 'Spiky DJ' sticker
Jubilee is an album of selections from the last five years of multifarious output by the art collective FPBJPC, including Jonathan Gean, Michael Pollard, Ben Schumacher, and Peter Friel. Including 8-hand piano arrangements of Schillerâs âAn Die Freude,â helpful techno, free guitar quartets, music from their film The China Chalet Group, and more, Jubilee is an incomplete picture of FPBJPCâs life-long research into ways of hanging out. Side A ends with an anthemic Interpol âcoverâ performed at the collectiveâs own Responsibility Festival, which took over southern Ontarioâs Wolfe Island for a weekend in the summer of 2019.
Everything in FPBJPCâs oeuvre requires you to tilt your head to adjust where the glare obscures the picture. Or thereâs no glare, but weâre accustomed to thinking there ought to be one. I was in the audience for the 2019 Recital Earth Day Gala concert, and during FPBJPCâs set someone in the audience muttered to me, âperfect music.â At the Interpol concert, I was also in the audience. I didnât know the words and didnât feel like crowdsurfing, but I was very happy to be there. This music helps me remember how to learn how to love. Maybe in the last seventy years or so the loveless mistrust of fucks given has become the cruel, background fuck whose givenness is a given. FPBJPC invites us to relieve ourselves of that cruelty and, thereby, invites us back into love. Perfect music.
Derek Baron, Sept. 2020
Description
Ltd. to 100 copies, incl. 20-page booklet with photo and 'Spiky DJ' sticker
Jubilee is an album of selections from the last five years of multifarious output by the art collective FPBJPC, including Jonathan Gean, Michael Pollard, Ben Schumacher, and Peter Friel. Including 8-hand piano arrangements of Schillerâs âAn Die Freude,â helpful techno, free guitar quartets, music from their film The China Chalet Group, and more, Jubilee is an incomplete picture of FPBJPCâs life-long research into ways of hanging out. Side A ends with an anthemic Interpol âcoverâ performed at the collectiveâs own Responsibility Festival, which took over southern Ontarioâs Wolfe Island for a weekend in the summer of 2019.
Everything in FPBJPCâs oeuvre requires you to tilt your head to adjust where the glare obscures the picture. Or thereâs no glare, but weâre accustomed to thinking there ought to be one. I was in the audience for the 2019 Recital Earth Day Gala concert, and during FPBJPCâs set someone in the audience muttered to me, âperfect music.â At the Interpol concert, I was also in the audience. I didnât know the words and didnât feel like crowdsurfing, but I was very happy to be there. This music helps me remember how to learn how to love. Maybe in the last seventy years or so the loveless mistrust of fucks given has become the cruel, background fuck whose givenness is a given. FPBJPC invites us to relieve ourselves of that cruelty and, thereby, invites us back into love. Perfect music.
Derek Baron, Sept. 2020











