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GROUPER - ruins LP

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GROUPER - ruins LP


“Ruins was made in Aljezur, Portugal in 2011 on a residency set up by Galeria ZĂ© dos Bois. I recorded everything there except the last song, which I did at mother's house in 2004. IÊŒm still surprised by what I wound up with. It was the first time IÊŒd sat still for a few years; processed a lot of political anger and emotional garbage. Recorded pretty simply, with a portable 4-track, Sony stereo mic and an upright piano. When I wasnÊŒt recording songs I was hiking several miles to the beach. The path wound through the ruins of several old estates and a small village. The album is a document. A nod to that daily walk. Failed structures. Living in the remains of love. I left the songs the way they came (microwave beep from when power went out after a storm); I hope that the album bears some resemblance to the place that I was in.”—Liz Harris


“Ruins was made in Aljezur, Portugal in 2011 on a residency set up by Galeria ZĂ© dos Bois. I recorded everything there except the last song, which I did at mother's house in 2004. IÊŒm still surprised by what I wound up with. It was the first time IÊŒd sat still for a few years; processed a lot of political anger and emotional garbage. Recorded pretty simply, with a portable 4-track, Sony stereo mic and an upright piano. When I wasnÊŒt recording songs I was hiking several miles to the beach. The path wound through the ruins of several old estates and a small village. The album is a document. A nod to that daily walk. Failed structures. Living in the remains of love. I left the songs the way they came (microwave beep from when power went out after a storm); I hope that the album bears some resemblance to the place that I was in.”—Liz Harris

$5,730.33

Original: $19,101.11

-70%
GROUPER - ruins LP—

$19,101.11

$5,730.33

Description


“Ruins was made in Aljezur, Portugal in 2011 on a residency set up by Galeria ZĂ© dos Bois. I recorded everything there except the last song, which I did at mother's house in 2004. IÊŒm still surprised by what I wound up with. It was the first time IÊŒd sat still for a few years; processed a lot of political anger and emotional garbage. Recorded pretty simply, with a portable 4-track, Sony stereo mic and an upright piano. When I wasnÊŒt recording songs I was hiking several miles to the beach. The path wound through the ruins of several old estates and a small village. The album is a document. A nod to that daily walk. Failed structures. Living in the remains of love. I left the songs the way they came (microwave beep from when power went out after a storm); I hope that the album bears some resemblance to the place that I was in.”—Liz Harris