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KEROSENE 454 - Came By To Kill Me LP

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KEROSENE 454 - Came By To Kill Me LP

ECO GRAPHITE VINYL.

Reissue of Kerosene 454's 1997 sophomore LP. Completely remastered from the original tapes. Reverse board printed jacket and a printed inner sleeve with lyrics and enhanced artwork.

'Came By to Kill Me' is the sophomore album from this prolific Maryland/D.C. post-hardcore band. These were the first recordings written exclusively with drummer Darren Zentek (formerly of the band, Glendale) and came at a time when the band felt like they were moving at 100 miles per hour. The album was recorded over 6 days in the summer of 1996 with J. Robbins (Jawbox, Magpie Cage Studio) and Don Zientara at Inner Ear Studios with help from Juan Carrera (Warmers, Slowdime Records). 

ECO GRAPHITE VINYL.

Reissue of Kerosene 454's 1997 sophomore LP. Completely remastered from the original tapes. Reverse board printed jacket and a printed inner sleeve with lyrics and enhanced artwork.

'Came By to Kill Me' is the sophomore album from this prolific Maryland/D.C. post-hardcore band. These were the first recordings written exclusively with drummer Darren Zentek (formerly of the band, Glendale) and came at a time when the band felt like they were moving at 100 miles per hour. The album was recorded over 6 days in the summer of 1996 with J. Robbins (Jawbox, Magpie Cage Studio) and Don Zientara at Inner Ear Studios with help from Juan Carrera (Warmers, Slowdime Records). 

$5,730.33

Original: $19,101.11

-70%
KEROSENE 454 - Came By To Kill Me LP—

$19,101.11

$5,730.33

Description

ECO GRAPHITE VINYL.

Reissue of Kerosene 454's 1997 sophomore LP. Completely remastered from the original tapes. Reverse board printed jacket and a printed inner sleeve with lyrics and enhanced artwork.

'Came By to Kill Me' is the sophomore album from this prolific Maryland/D.C. post-hardcore band. These were the first recordings written exclusively with drummer Darren Zentek (formerly of the band, Glendale) and came at a time when the band felt like they were moving at 100 miles per hour. The album was recorded over 6 days in the summer of 1996 with J. Robbins (Jawbox, Magpie Cage Studio) and Don Zientara at Inner Ear Studios with help from Juan Carrera (Warmers, Slowdime Records).Â