RED LARGO - Transmitting LP
Based upon the unusual instrumentation of lap steel guitar, drums and bass clarinet through electronics, the music and sound of Red Largo was born out of the creation of music for the theatre performance âAnthropos Ex (Machina)â in Berlin during the winter 2022-23. Under the conceptual direction of Sonja Kessner - the writer/director of the theatre play - seasoned musicians Fredrik Kinbom (Gemma Ray, Gurrumul), Andreas Dormann (Moka Efti Orchestra, Ben Becker) and Chris Farr (Sophie Auster, Moka Efti Orchestra) created a musical language very much their own.
Opening track âEx Machinaâ with its ebbs and flows, driven by Dormannâs bass clarinet riff, Farrâs drums and Kinbomâs ebowed lap steel, serves as a statement of intent for both the band and the album.
âExodus (Transmission 2)â is an instrumental adaption of a song from the critically acclaimed Kinbom & Kessner album âAnthroposâ (Hook Music/Theater der Zeit, 2022). It features vocals by Hannah Moule (of British band Moulettes).
Closing number âThe Xâ, which grows from a faint whisper to epic widescreen drone rock over its 18 minutes, was improvised freely in the studio, with some ornaments added later, like running the lap steel through analogue synth filters and the drums through a 90-year-old radio speaker, plus harmonium by Swedish pianist/film composer Matti Bye.
Based upon the unusual instrumentation of lap steel guitar, drums and bass clarinet through electronics, the music and sound of Red Largo was born out of the creation of music for the theatre performance âAnthropos Ex (Machina)â in Berlin during the winter 2022-23. Under the conceptual direction of Sonja Kessner - the writer/director of the theatre play - seasoned musicians Fredrik Kinbom (Gemma Ray, Gurrumul), Andreas Dormann (Moka Efti Orchestra, Ben Becker) and Chris Farr (Sophie Auster, Moka Efti Orchestra) created a musical language very much their own.
Opening track âEx Machinaâ with its ebbs and flows, driven by Dormannâs bass clarinet riff, Farrâs drums and Kinbomâs ebowed lap steel, serves as a statement of intent for both the band and the album.
âExodus (Transmission 2)â is an instrumental adaption of a song from the critically acclaimed Kinbom & Kessner album âAnthroposâ (Hook Music/Theater der Zeit, 2022). It features vocals by Hannah Moule (of British band Moulettes).
Closing number âThe Xâ, which grows from a faint whisper to epic widescreen drone rock over its 18 minutes, was improvised freely in the studio, with some ornaments added later, like running the lap steel through analogue synth filters and the drums through a 90-year-old radio speaker, plus harmonium by Swedish pianist/film composer Matti Bye.
Original: $28.94
-70%$28.94
$8.68Description
Based upon the unusual instrumentation of lap steel guitar, drums and bass clarinet through electronics, the music and sound of Red Largo was born out of the creation of music for the theatre performance âAnthropos Ex (Machina)â in Berlin during the winter 2022-23. Under the conceptual direction of Sonja Kessner - the writer/director of the theatre play - seasoned musicians Fredrik Kinbom (Gemma Ray, Gurrumul), Andreas Dormann (Moka Efti Orchestra, Ben Becker) and Chris Farr (Sophie Auster, Moka Efti Orchestra) created a musical language very much their own.
Opening track âEx Machinaâ with its ebbs and flows, driven by Dormannâs bass clarinet riff, Farrâs drums and Kinbomâs ebowed lap steel, serves as a statement of intent for both the band and the album.
âExodus (Transmission 2)â is an instrumental adaption of a song from the critically acclaimed Kinbom & Kessner album âAnthroposâ (Hook Music/Theater der Zeit, 2022). It features vocals by Hannah Moule (of British band Moulettes).
Closing number âThe Xâ, which grows from a faint whisper to epic widescreen drone rock over its 18 minutes, was improvised freely in the studio, with some ornaments added later, like running the lap steel through analogue synth filters and the drums through a 90-year-old radio speaker, plus harmonium by Swedish pianist/film composer Matti Bye.
