THE RED RIPPERS - Over There...and Over Here LP
Paradise of Bachelors presents the first-ever reissue of the previously obscure 1983 LP by the Red Rippers. Written and recorded by Navy pilot Ed Bankston, the albumâs nine battle-scarred country-boogie/psych dispatches chronicle the experiences of Bankston and his fellow vets during the Vietnam War and back home. Produced in collaboration with the artist, the package includes extensive liner notes, archival photos, and (with the vinyl) a digital download coupon.
Scarce and seemingly inscrutable, the sole recording credited to the Red Rippers has long captivated and mystified record collectors. When we first encountered Over There ⊠and Over Here, we were fascinated by the prescient, genre-dredging synthesis of Waylonesque honky-stomp with early â80s new wave production values and eerie, out-of-time psychedelic guitar leads weirdly reminiscent of the Blue Ăyster Cult, Dire Straits, and the Meat Puppets at their most desert-drunk. We were intrigued by the recordâs ambiguous provenance (Oracle Records?) and moved by its complex, apparently deeply personal articulation of an enlisted manâs efforts to break on through his fear, anger, and disillusionment during and after the Vietnam War.
Once we finally tracked down songwriter, singer, and guitarist Edwin Dale Bankston in Phoenix, Arizona, he told us that he wrote these nine potent blues during the decade following his return in 1972 from serving on the Navy aircraft carrier USS Kittyhawk in Vietnam. He recorded them while stationed in Pensacola, Florida and sold the resulting 1983 album through an advertisement in Soldier of Fortune magazine, largely to other veterans. The songs chronicle his own and other vetsâ harrowing experiences both in country and back home, and are utterly unlike most popular music commentaries on the Vietnam War. Youâve heard the strident protest songs blasted forth from that myth-shrouded era; many retain a visceral power and poetic outrage, but few, beyond a professed empathy for flimsy, victimized stock characters, accurately represent the actual lived experience and agency of soldiers.
Paradise of Bachelors presents the first-ever reissue of the previously obscure 1983 LP by the Red Rippers. Written and recorded by Navy pilot Ed Bankston, the albumâs nine battle-scarred country-boogie/psych dispatches chronicle the experiences of Bankston and his fellow vets during the Vietnam War and back home. Produced in collaboration with the artist, the package includes extensive liner notes, archival photos, and (with the vinyl) a digital download coupon.
Scarce and seemingly inscrutable, the sole recording credited to the Red Rippers has long captivated and mystified record collectors. When we first encountered Over There ⊠and Over Here, we were fascinated by the prescient, genre-dredging synthesis of Waylonesque honky-stomp with early â80s new wave production values and eerie, out-of-time psychedelic guitar leads weirdly reminiscent of the Blue Ăyster Cult, Dire Straits, and the Meat Puppets at their most desert-drunk. We were intrigued by the recordâs ambiguous provenance (Oracle Records?) and moved by its complex, apparently deeply personal articulation of an enlisted manâs efforts to break on through his fear, anger, and disillusionment during and after the Vietnam War.
Once we finally tracked down songwriter, singer, and guitarist Edwin Dale Bankston in Phoenix, Arizona, he told us that he wrote these nine potent blues during the decade following his return in 1972 from serving on the Navy aircraft carrier USS Kittyhawk in Vietnam. He recorded them while stationed in Pensacola, Florida and sold the resulting 1983 album through an advertisement in Soldier of Fortune magazine, largely to other veterans. The songs chronicle his own and other vetsâ harrowing experiences both in country and back home, and are utterly unlike most popular music commentaries on the Vietnam War. Youâve heard the strident protest songs blasted forth from that myth-shrouded era; many retain a visceral power and poetic outrage, but few, beyond a professed empathy for flimsy, victimized stock characters, accurately represent the actual lived experience and agency of soldiers.
Description
Paradise of Bachelors presents the first-ever reissue of the previously obscure 1983 LP by the Red Rippers. Written and recorded by Navy pilot Ed Bankston, the albumâs nine battle-scarred country-boogie/psych dispatches chronicle the experiences of Bankston and his fellow vets during the Vietnam War and back home. Produced in collaboration with the artist, the package includes extensive liner notes, archival photos, and (with the vinyl) a digital download coupon.
Scarce and seemingly inscrutable, the sole recording credited to the Red Rippers has long captivated and mystified record collectors. When we first encountered Over There ⊠and Over Here, we were fascinated by the prescient, genre-dredging synthesis of Waylonesque honky-stomp with early â80s new wave production values and eerie, out-of-time psychedelic guitar leads weirdly reminiscent of the Blue Ăyster Cult, Dire Straits, and the Meat Puppets at their most desert-drunk. We were intrigued by the recordâs ambiguous provenance (Oracle Records?) and moved by its complex, apparently deeply personal articulation of an enlisted manâs efforts to break on through his fear, anger, and disillusionment during and after the Vietnam War.
Once we finally tracked down songwriter, singer, and guitarist Edwin Dale Bankston in Phoenix, Arizona, he told us that he wrote these nine potent blues during the decade following his return in 1972 from serving on the Navy aircraft carrier USS Kittyhawk in Vietnam. He recorded them while stationed in Pensacola, Florida and sold the resulting 1983 album through an advertisement in Soldier of Fortune magazine, largely to other veterans. The songs chronicle his own and other vetsâ harrowing experiences both in country and back home, and are utterly unlike most popular music commentaries on the Vietnam War. Youâve heard the strident protest songs blasted forth from that myth-shrouded era; many retain a visceral power and poetic outrage, but few, beyond a professed empathy for flimsy, victimized stock characters, accurately represent the actual lived experience and agency of soldiers.
