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THE REDS, PINKS & PURPLES - You Might Be Happy Someday LP
For fans of Sarah Records, Even As We Speak, The Field Mice, Blue Boy, The Clientele, early Belle and Sebastian. Deep amidst San Franciscoâs Richmond neighbourhood misty air and washed-out pastel blocks, Glenn Donaldson has been diligently creating minor masterpieces with rudimentary home technology for some time now. With The Reds, Pinks and Purples, Donaldson has finally created a vivid reflection of this dreary scene. You Might be Happy Someday is an oblique strand of SF outer-avenue cloud cover that stretches across the Atlantic to the grey docks of Bristol as captured in Sarah Recordsâ fetishized insert photos. Despite the deceptively congenial presentation, Happy is often a heavy record. After a litany of Donaldsonâs past iterations (from experimental abstraction to post-punk and pop), The Reds, Pinks and Purples is Glenn Dâs most personal project. Balanced awkwardly atop almost ironically upbeat jangles and rhythms Mitch Easter might have captured on his reel-to-reel are prime cuts of bummer pop. Almost every track is written in second person, creating a feeling of overheard private inner conversations-on- repeat: soft-lob criticisms, supportive friend advice and embarrassing confessions, You Might be Happy Someday is a smeared window into the (kindly) cynical thoughts of a romantic misanthrope. Like the work of other U.S. depresso-pop purveyors East River Pipe, The Reds, Pinks and Purplesâ mini-album is the kind of record that is both unsettling and comforting. When youâre four drinks deep and youâve worn your Smiths records out, You Might Be Happy Someday is on deck to have wine spilled on it while you dance alone in the kitch
For fans of Sarah Records, Even As We Speak, The Field Mice, Blue Boy, The Clientele, early Belle and Sebastian. Deep amidst San Franciscoâs Richmond neighbourhood misty air and washed-out pastel blocks, Glenn Donaldson has been diligently creating minor masterpieces with rudimentary home technology for some time now. With The Reds, Pinks and Purples, Donaldson has finally created a vivid reflection of this dreary scene. You Might be Happy Someday is an oblique strand of SF outer-avenue cloud cover that stretches across the Atlantic to the grey docks of Bristol as captured in Sarah Recordsâ fetishized insert photos. Despite the deceptively congenial presentation, Happy is often a heavy record. After a litany of Donaldsonâs past iterations (from experimental abstraction to post-punk and pop), The Reds, Pinks and Purples is Glenn Dâs most personal project. Balanced awkwardly atop almost ironically upbeat jangles and rhythms Mitch Easter might have captured on his reel-to-reel are prime cuts of bummer pop. Almost every track is written in second person, creating a feeling of overheard private inner conversations-on- repeat: soft-lob criticisms, supportive friend advice and embarrassing confessions, You Might be Happy Someday is a smeared window into the (kindly) cynical thoughts of a romantic misanthrope. Like the work of other U.S. depresso-pop purveyors East River Pipe, The Reds, Pinks and Purplesâ mini-album is the kind of record that is both unsettling and comforting. When youâre four drinks deep and youâve worn your Smiths records out, You Might Be Happy Someday is on deck to have wine spilled on it while you dance alone in the kitch
$10.42
Original: $34.73
-70%THE REDS, PINKS & PURPLES - You Might Be Happy Someday LPâ
$34.73
$10.42Description
For fans of Sarah Records, Even As We Speak, The Field Mice, Blue Boy, The Clientele, early Belle and Sebastian. Deep amidst San Franciscoâs Richmond neighbourhood misty air and washed-out pastel blocks, Glenn Donaldson has been diligently creating minor masterpieces with rudimentary home technology for some time now. With The Reds, Pinks and Purples, Donaldson has finally created a vivid reflection of this dreary scene. You Might be Happy Someday is an oblique strand of SF outer-avenue cloud cover that stretches across the Atlantic to the grey docks of Bristol as captured in Sarah Recordsâ fetishized insert photos. Despite the deceptively congenial presentation, Happy is often a heavy record. After a litany of Donaldsonâs past iterations (from experimental abstraction to post-punk and pop), The Reds, Pinks and Purples is Glenn Dâs most personal project. Balanced awkwardly atop almost ironically upbeat jangles and rhythms Mitch Easter might have captured on his reel-to-reel are prime cuts of bummer pop. Almost every track is written in second person, creating a feeling of overheard private inner conversations-on- repeat: soft-lob criticisms, supportive friend advice and embarrassing confessions, You Might be Happy Someday is a smeared window into the (kindly) cynical thoughts of a romantic misanthrope. Like the work of other U.S. depresso-pop purveyors East River Pipe, The Reds, Pinks and Purplesâ mini-album is the kind of record that is both unsettling and comforting. When youâre four drinks deep and youâve worn your Smiths records out, You Might Be Happy Someday is on deck to have wine spilled on it while you dance alone in the kitch











