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UNCHAINED - Gabbeh LP
A Colourful Storm begins 2024 with a luxurious suite of daydreaming introspection courtesy of Unchained, the longstanding solo project of Nathaniel Davis.
Recorded at home between 2020 and 2023, Gabbeh is the latest expression of Davisâs guitar-based instrumental musings and represents an almost two decade-long stylistic evolution of his self-released noise tapes and CD-Rs into romantic, bossa nova-influenced melody-making. He wrote the tracks sporadically, with minimal instrumentation and intervention. Electric guitar, bass improvisations and rhythms from an old drum machine are layered and given new life, the space between them softly breathing with minutiae of the everyday: the buzz of cicadas, the passing of cars, the whistling of passersby.
The psychogeography of Grenoble, Davisâ home since 2018, played a conscious role in the weaving of Gabbehâs fabric: âI think certain songs reflect, in ways, Grenobleâs natural surroundings. âDracâ is named after the river that flows from the mountains down to the city⊠âDruâ is the name of a well-known peak near Chamonixâ. And from the cityâs strange humidity, alpine surroundings and significance in the lives of, say, Henri Fantin-Latour and Stendhal, feelings at once hopelessly romantic and deeply melancholic permeate throughout the album.
Opener âLargoâ sets the mood, its primitive samba rhythm concealed by a cloud of saudade, guided by the spirit of Wes Montgomery. âI take inspiration from Wesâs disregard for conventional technique and his insistence on feeling above all else,â reflects Davis, who also cites the multifaceted dexterity of Toninho Horta and lucid expressionism of Maurice Deebank as influences on his work. The bebop sensibility follows suit in the title track, the tension between its angular picks and percussive shuffle a wondrous balancing act, while the intoxicating sway of âRamblerâ, an updated version of a track Davis self-released in 2020, is perhaps the most poignant expression of longing and loss weâve heard in recent years.
Pure atmospheric bliss floating into the clouds, Gabbeh captures a longing for endless, hazy days.
Recorded at home between 2020 and 2023, Gabbeh is the latest expression of Davisâs guitar-based instrumental musings and represents an almost two decade-long stylistic evolution of his self-released noise tapes and CD-Rs into romantic, bossa nova-influenced melody-making. He wrote the tracks sporadically, with minimal instrumentation and intervention. Electric guitar, bass improvisations and rhythms from an old drum machine are layered and given new life, the space between them softly breathing with minutiae of the everyday: the buzz of cicadas, the passing of cars, the whistling of passersby.
The psychogeography of Grenoble, Davisâ home since 2018, played a conscious role in the weaving of Gabbehâs fabric: âI think certain songs reflect, in ways, Grenobleâs natural surroundings. âDracâ is named after the river that flows from the mountains down to the city⊠âDruâ is the name of a well-known peak near Chamonixâ. And from the cityâs strange humidity, alpine surroundings and significance in the lives of, say, Henri Fantin-Latour and Stendhal, feelings at once hopelessly romantic and deeply melancholic permeate throughout the album.
Opener âLargoâ sets the mood, its primitive samba rhythm concealed by a cloud of saudade, guided by the spirit of Wes Montgomery. âI take inspiration from Wesâs disregard for conventional technique and his insistence on feeling above all else,â reflects Davis, who also cites the multifaceted dexterity of Toninho Horta and lucid expressionism of Maurice Deebank as influences on his work. The bebop sensibility follows suit in the title track, the tension between its angular picks and percussive shuffle a wondrous balancing act, while the intoxicating sway of âRamblerâ, an updated version of a track Davis self-released in 2020, is perhaps the most poignant expression of longing and loss weâve heard in recent years.
Pure atmospheric bliss floating into the clouds, Gabbeh captures a longing for endless, hazy days.
A Colourful Storm begins 2024 with a luxurious suite of daydreaming introspection courtesy of Unchained, the longstanding solo project of Nathaniel Davis.
Recorded at home between 2020 and 2023, Gabbeh is the latest expression of Davisâs guitar-based instrumental musings and represents an almost two decade-long stylistic evolution of his self-released noise tapes and CD-Rs into romantic, bossa nova-influenced melody-making. He wrote the tracks sporadically, with minimal instrumentation and intervention. Electric guitar, bass improvisations and rhythms from an old drum machine are layered and given new life, the space between them softly breathing with minutiae of the everyday: the buzz of cicadas, the passing of cars, the whistling of passersby.
The psychogeography of Grenoble, Davisâ home since 2018, played a conscious role in the weaving of Gabbehâs fabric: âI think certain songs reflect, in ways, Grenobleâs natural surroundings. âDracâ is named after the river that flows from the mountains down to the city⊠âDruâ is the name of a well-known peak near Chamonixâ. And from the cityâs strange humidity, alpine surroundings and significance in the lives of, say, Henri Fantin-Latour and Stendhal, feelings at once hopelessly romantic and deeply melancholic permeate throughout the album.
Opener âLargoâ sets the mood, its primitive samba rhythm concealed by a cloud of saudade, guided by the spirit of Wes Montgomery. âI take inspiration from Wesâs disregard for conventional technique and his insistence on feeling above all else,â reflects Davis, who also cites the multifaceted dexterity of Toninho Horta and lucid expressionism of Maurice Deebank as influences on his work. The bebop sensibility follows suit in the title track, the tension between its angular picks and percussive shuffle a wondrous balancing act, while the intoxicating sway of âRamblerâ, an updated version of a track Davis self-released in 2020, is perhaps the most poignant expression of longing and loss weâve heard in recent years.
Pure atmospheric bliss floating into the clouds, Gabbeh captures a longing for endless, hazy days.
Recorded at home between 2020 and 2023, Gabbeh is the latest expression of Davisâs guitar-based instrumental musings and represents an almost two decade-long stylistic evolution of his self-released noise tapes and CD-Rs into romantic, bossa nova-influenced melody-making. He wrote the tracks sporadically, with minimal instrumentation and intervention. Electric guitar, bass improvisations and rhythms from an old drum machine are layered and given new life, the space between them softly breathing with minutiae of the everyday: the buzz of cicadas, the passing of cars, the whistling of passersby.
The psychogeography of Grenoble, Davisâ home since 2018, played a conscious role in the weaving of Gabbehâs fabric: âI think certain songs reflect, in ways, Grenobleâs natural surroundings. âDracâ is named after the river that flows from the mountains down to the city⊠âDruâ is the name of a well-known peak near Chamonixâ. And from the cityâs strange humidity, alpine surroundings and significance in the lives of, say, Henri Fantin-Latour and Stendhal, feelings at once hopelessly romantic and deeply melancholic permeate throughout the album.
Opener âLargoâ sets the mood, its primitive samba rhythm concealed by a cloud of saudade, guided by the spirit of Wes Montgomery. âI take inspiration from Wesâs disregard for conventional technique and his insistence on feeling above all else,â reflects Davis, who also cites the multifaceted dexterity of Toninho Horta and lucid expressionism of Maurice Deebank as influences on his work. The bebop sensibility follows suit in the title track, the tension between its angular picks and percussive shuffle a wondrous balancing act, while the intoxicating sway of âRamblerâ, an updated version of a track Davis self-released in 2020, is perhaps the most poignant expression of longing and loss weâve heard in recent years.
Pure atmospheric bliss floating into the clouds, Gabbeh captures a longing for endless, hazy days.
$14.93
Original: $49.78
-70%UNCHAINED - Gabbeh LPâ
$49.78
$14.93Description
A Colourful Storm begins 2024 with a luxurious suite of daydreaming introspection courtesy of Unchained, the longstanding solo project of Nathaniel Davis.
Recorded at home between 2020 and 2023, Gabbeh is the latest expression of Davisâs guitar-based instrumental musings and represents an almost two decade-long stylistic evolution of his self-released noise tapes and CD-Rs into romantic, bossa nova-influenced melody-making. He wrote the tracks sporadically, with minimal instrumentation and intervention. Electric guitar, bass improvisations and rhythms from an old drum machine are layered and given new life, the space between them softly breathing with minutiae of the everyday: the buzz of cicadas, the passing of cars, the whistling of passersby.
The psychogeography of Grenoble, Davisâ home since 2018, played a conscious role in the weaving of Gabbehâs fabric: âI think certain songs reflect, in ways, Grenobleâs natural surroundings. âDracâ is named after the river that flows from the mountains down to the city⊠âDruâ is the name of a well-known peak near Chamonixâ. And from the cityâs strange humidity, alpine surroundings and significance in the lives of, say, Henri Fantin-Latour and Stendhal, feelings at once hopelessly romantic and deeply melancholic permeate throughout the album.
Opener âLargoâ sets the mood, its primitive samba rhythm concealed by a cloud of saudade, guided by the spirit of Wes Montgomery. âI take inspiration from Wesâs disregard for conventional technique and his insistence on feeling above all else,â reflects Davis, who also cites the multifaceted dexterity of Toninho Horta and lucid expressionism of Maurice Deebank as influences on his work. The bebop sensibility follows suit in the title track, the tension between its angular picks and percussive shuffle a wondrous balancing act, while the intoxicating sway of âRamblerâ, an updated version of a track Davis self-released in 2020, is perhaps the most poignant expression of longing and loss weâve heard in recent years.
Pure atmospheric bliss floating into the clouds, Gabbeh captures a longing for endless, hazy days.
Recorded at home between 2020 and 2023, Gabbeh is the latest expression of Davisâs guitar-based instrumental musings and represents an almost two decade-long stylistic evolution of his self-released noise tapes and CD-Rs into romantic, bossa nova-influenced melody-making. He wrote the tracks sporadically, with minimal instrumentation and intervention. Electric guitar, bass improvisations and rhythms from an old drum machine are layered and given new life, the space between them softly breathing with minutiae of the everyday: the buzz of cicadas, the passing of cars, the whistling of passersby.
The psychogeography of Grenoble, Davisâ home since 2018, played a conscious role in the weaving of Gabbehâs fabric: âI think certain songs reflect, in ways, Grenobleâs natural surroundings. âDracâ is named after the river that flows from the mountains down to the city⊠âDruâ is the name of a well-known peak near Chamonixâ. And from the cityâs strange humidity, alpine surroundings and significance in the lives of, say, Henri Fantin-Latour and Stendhal, feelings at once hopelessly romantic and deeply melancholic permeate throughout the album.
Opener âLargoâ sets the mood, its primitive samba rhythm concealed by a cloud of saudade, guided by the spirit of Wes Montgomery. âI take inspiration from Wesâs disregard for conventional technique and his insistence on feeling above all else,â reflects Davis, who also cites the multifaceted dexterity of Toninho Horta and lucid expressionism of Maurice Deebank as influences on his work. The bebop sensibility follows suit in the title track, the tension between its angular picks and percussive shuffle a wondrous balancing act, while the intoxicating sway of âRamblerâ, an updated version of a track Davis self-released in 2020, is perhaps the most poignant expression of longing and loss weâve heard in recent years.
Pure atmospheric bliss floating into the clouds, Gabbeh captures a longing for endless, hazy days.
